Concert · spruce & Indian rosewood
“A concert guitar must reach the last row without ever raising its voice.”
The house concert guitar — German spruce over Indian rosewood, tuned by Cesar until the top answers a whisper. Built for recital rooms, and for players who ask a guitar to carry an idea a long way.
Built to order · a commission today joins next year's bench
The voice · La voz
La Clásica speaks the way the old Granada concert guitars speak: a warm, centred bass that never blurs, trebles that stay round at the twelfth fret, and a sustain that lets a phrase finish itself. Cesar voices every top for evenness first — no wolf notes, no favourite strings — because a concert player needs the whole fingerboard to tell the truth.
It is a guitar that rewards a light right hand. Play it softly and the room still hears you; lean into it and it opens without hardening. Owners tend to describe the same thing: the feeling that the guitar is listening back.
The workshop record · La ficha
The builder · El constructor
“The wood tells you what it wants to be. My job is to not interrupt.”
Built by Cesar Vicente — soundboards, voicing & final polish.